Final Ceremony, Chapter 3
A partial translation of the Final Ceremony main story. Inflections in this translation are based off of the live reading of the chapter from the 4piece final ceremony livestream.
A partial translation of the Final Ceremony main story. Inflections in this translation are based off of the live reading of the chapter from the 4piece final ceremony livestream.
310mc (Epilogue 1, 3) citrinesea (Influence 9; Epilogue 1, 4)
The following chapters follow the events of Keito and Ibuki in VS★AUDIENCE, picking up off of Influence Chapter 6. This abridged version has been posted early in light of Ibuki's debut. When the full story is complete, this page will be replaced.
























NOTE: From Basic's Appeal Talks, which occur at random points during D.L.F.S. courses.
This post provides necessary context about the issues of cultural sensitivity around Ibuki Taki’s inclusion in AKATSUKI, especially its parallels to the Ryukyu Disposition. To do so, this post will explore Shinsei AKATSUKI and Ibuki through the lens of Japanese history, specifically the Meiji Restoration.
Happy Elements is no stranger to mishandling racial minorities. Adonis’s character is a clear example of orientalism, where he is defined by a generic Middle-Eastern aesthetic, and portrayed as either an exotic figure or threatening foreigner. Hiiro, who is strongly inferred to be Ainu, is frequently portrayed as an ignorant person from “the country” who must absorb the ways of “the city”. At times, his ignorance of modern society is treated as a source of humor.
With the addition of Ibuki (a canonically Ryukyuan character) to AKATSUKI, it's important to examine the Shinsei AKATSUKI storyline through the lens of Ryukyuan history. To do so, this analysis will break down plots and themes into three key historical parallels:
My goal is to create a clear resource for readers new to this history and to provide context for future translations, translation notes and discussions on this site.